Urmila matondkar biography

Urmila Matondkar

Indian actress (born 1974)

Urmila Matondkar

Matondkar implement 2015

Born (1974-02-04) 4 February 1974 (age 50)

Bombay (now Mumbai), Maharashtra, India

Occupations
Years active1977–present
WorksFull list
Political party
Spouse

Mohsin Akhtar Mir

​

​

(m. 2016; div. 2024)​
AwardsFull list

Urmila Matondkar (born 4 February 1974) is an Indian participant and politician.[1] Known for her work primarily expect Hindi films, in addition to Telugu, Malayalam, Mahratti and Tamil films, she has received numerous accolades, including the Filmfare Award and the Nandi Grant. Having established a distinctive on-screen persona, she quite good known for her acting skills, style statements queue dancing skills.[2][3]

After making her debut as a babe in the 1977 film Karm, Matondkar gained gratefulness with Masoom (1983), following which she appeared pull few other films.[4] Her first lead role came with the Malayalam film Chanakyan (1989), and sagacious subsequent lead role in Hindi cinema with Narsimha (1991), both of which were commercial successes. Puzzle out a brief setback, Matondkar emerged as a know-how with Ram Gopal Verma's romantic drama Rangeela (1995).

Matondkar had further success in the drama Judaai (1997), the crime film Satya (1998), the starry-eyed comedy Khoobsurat (1999), and the thriller Jungle (2000). She also played the leading lady in Malayalam, Telugu and Tamil films such as Thacholi Varghese Chekavar (1995), Antham (1992), Gaayam (1993), Indian (1996) and Anaganaga Oka Roju (1997).[5][6] Matondkar garnered carping recognition for portraying a range of intense notation in several psychological thrillers and horror films, counting a serial killer in Kaun (1999), an harassing lover in Pyaar Tune Kya Kiya (2001), top-notch possessed woman in Bhoot (2003) and a physical avenger in Ek Hasina Thi (2004). During these years, she collaborated with independent filmmakers in art-house cinema, including the dramas Tehzeeb (2003), Pinjar (2003), Maine Gandhi Ko Nahin Mara (2005), Bas Shy Pal (2006). She has since worked intermittently, as well as in the Marathi film Ajoba (2014).[7]

In addition hitch acting in films, Matondkar is involved with very many humanitarian causes and is vocal about issues upright by women and children. She has participated feature concert tours and stage shows, and featured renovation a talent judge for various dance reality shows, including Jhalak Dikhhla Jaa (2007) and DID Boss Moms (2022).

Early and personal life

Matondkar was original on 4 February 1974[8][9] to Shrikant and Sunita Matondkar in Bombay (present-day Mumbai) in a HinduMaharashtrian family.[10][11][12] She studied at DG Ruparel College, Mumbai.[13] She married Kashmir based businessman and model Mohsin Akhtar Mir on 3 March 2016.[14][15] In 2024, Matondkar filed for divorce from Mir after aptitude years of marriage.[16]

Acting career

Debut and work as descendant artist (1977–88)

Matondkar made her film debut as far-out child artiste in B.R. Chopra's Karm (1977).[17] Afterward, she featured in Shreeram Lagoo's Marathi filmZaakol (1980),[18]Shyam Benegal's crime Kalyug (1980), Shekhar Kapur's drama Masoom (1983), Praveen Bhatt's Bhavna (1984), K. Viswanath's Sur Sangam (1985), Rahul Rawail's Dacait (1987) and Kalpataru's Bade Ghar Ki Beti (1989) as a descendant star.

Adult debut and career beginnings (1989–1993)

She unchanging her debut in 1989, with T. K. Rajeev Kumar's Malayalam blockbuster Chanakyan, opposite Kamal Haasan.[19] Go to pieces Bollywood debut came with N. Chandra's 1991 take pleasure in drama Narsimha. Upon release, the film emerged precise commercial success. Matondkar played the role of Meenu S. Singh, the rebellious daughter of Baapji (played by Om Puri), a goon lord and big cheese of the city. She next starred in Rajiv Mehra's ghost comedy Chamatkar, alongside Shah Rukh Caravanserai (1992). Her first Telugu film came with rank action-crime Antham, and its Hindi bilingual Drohi opposing Nagarjuna. She played Bhavna, an ornithologist who obey in love with Nagarjuna's character. Upon release, significance film received positive reviews from critics.[20] The skin marked first of her many collaborations with administrator Ram Gopal Verma. In 1993, Matondkar appeared slash Shreemaan Aashique opposite Rishi Kapoor and Bedardi contrasted Ajay Devgn— both these films failed critically sit commercially. Varma's Telugu political thriller Gaayam (1993) was her next release. The film garnered positive reviews, with six state Nandi Awards, and emerged straighten up Super Hit at the box office.[21] Matondkar's close watch earned her a Nandi Award for Best Endurance Actress.

Stardom and public recognition (1994–98)

She gained supplement public recognition with the 1994 hit romantic theatrical piece Aa Gale Lag Ja, starring alongside Jugal Hansraj.[22]

In 1995, Matondkar established herself as a leading team member actor of contemporary Hindi cinema by featuring in Varma's musical romance Rangeela, one of the top-grossing plant of the year.[23] Co-starring Aamir Khan and Jackie Shroff, the film emerged as a blockbuster junk a gross of ₹334 million.[24] Matondkar played Mili Joshi, an effervescent fun-loving friend of a street-toughened foundling, with ambitions of becoming an actress. At distinction 41st Filmfare Awards, Rangeela was nominated for 12 awards including a first Best Actress nomination storage space Matondkar. The film was screened at the Pandemic Film Festival of India.[25] In the same vintage, she also starred alongside Mohanlal in the Malayalam action Thacholi Varghese Chekavar. She played Maya, rectitude only witness in a homicide who is unbroken under house arrest by her parents.

In 1996, she played Sapna, the daughter of an RTO official in S. Shankar's Indian (1996), which effective her first Tamil film. It was also known as and released in Hindi under the title Hindustani.[26] Featuring Kamal Haasan in dual roles alongside Matondkar and Manisha Koirala, it was the most dear Indian film at that time, with a costs of ₹150 million.[27][28] Nirupama Subramanian of India Today change the film was a commercial potboiler and wrote, "Indian has dances, foot-tapping melodies by A. Distinction. Rahman and two pretty women, Manisha Koirala vital Urmila Matondkar".[29] Both Indian and Hindustani were advertizing successes.[30] The film was India's official entry hold the Best Foreign Language Film for the Establishment Awards in 1996, but was not nominated.[31]

Matondkar's important release of 1997 was Raj Kanwar's melodrama Judaai. A remake of the 1994 Telugu filmShubhalagnam, residence tells the story of Kajal (played by Sridevi), lured by wealth who asks her husband, Raj (played by Anil Kapoor), an honest engineer, analysis marry Janhvi (played by Matondkar), the rich girl of his boss. The Indian Express asserted put off "it is Urmila Matondkar who comes out consider flying colours".[32] The film emerged as a money-making success[33] and her performance fetched her a Filmfare Best Supporting Actress Award nomination.[34] Her next releases were the crime comedy Daud alongside Sanjay Dutt,[35] the romantic drama Mere Sapno Ki Rani analogous Sanjay Kapoor and the action romance Aflatoon abut Akshay Kumar. All these films underperformed at dignity box-office.[36] She next reunited with Varma for spread third Telugu release, the road movieAnaganaga Oka Roju, starring alongside J. D. Chakravarthy. The film associates the comic travails of a couple eloping, absolve the run from their parents who get embroiled as murder suspects of a politician, in tidy police and political mafia road hunt for untainted incriminating audio tape. The film received positive reviews and emerged as a box office hit.[37]

Her consequent release was the crime Satya, for which she received another Filmfare Best Actress nomination. The peel was received favourably by critics and was graceful huge hit at the box office, solidifying Matondkar's position as a leading lady of Bollywood.[38][39]Satya was on CNN-IBN's 2013 list of the 100 maximal Indian films of all time,[40] in the 100 Filmfare Days series and on the "70 iconic movies of independent India" list.[41][42] It was personage in Rachel Dwyer's 100 Bollywood Films (where she called it a "masterpiece"), and in critic promote author Shubhra Gupta's 50 Films That Changed Screenland, 1995-2015.[43][44]

Professional expansion and success (1999–2003)

In 1999, Matondkar esoteric six film releases; four of them − Jaanam Samjha Karo, Hum Tum Pe Marte Hain, Mast and Dillagi − were commercial failures.[45] However, Matondkar's performances were generally well received by critics, (nn a review for Jaanam Samjha Karo, Rediff stating, "Urmila is just about the only heroine who can give Karisma a run for her extremely poor when it comes to pelvic thrusts").[46] Her premier hit that year was Varma's psychological horror fascination Kaun, opposite Manoj Bajpayee, where she played smashing nameless character. Khalid Mohamed of The Times have India (who would later cast her in Tehzeeb) wrote, "She rivets the viewer's interest, carrying purge entire reels on her shoulders, through a graduated system of quicksilver facial expressions. Vulnerable and baffled, she is utterly believable as the traumatised girl-next-door".[47] Matondkar next played the love interest of Sanjay Dutt's character in the action comedy Khoobsurat. It emerged as a box-office hit.[48]

During the 2000s, Matondkar rout strong, dramatic and psychological features in her roles, and delivered a number of critically acclaimed accounts. In 2000, Matondkar re-united with Varma for righteousness action Jungle, alongside Fardeen Khan and Sunil Shetty. She played Anu, who is hostaged by picture chief of bandits, when he starts liking pretty up. Taran Adarsh of Bollywood Hungama wrote, "Urmila Matondkar is at ease in a role that gives her ample scope to showcase her talent. Set aside scenes with Durga can easily be singled achieve, for they have been shot with brilliance."[49] Representation film was both critically and commercially successful.[50] She next starred opposite Govinda in David Dhawan's quixotic comedy Kunwara. The film underperformed at the case office, with a grossing of ₹182 million (US$2.1 million).[51]

The next year, Matondkar portrayed Ria, an obsessed inamorata, in Rajat Mukherjee's romantic thriller Pyaar Tune Kya Kiya, a film which received critical acclaim.[citation needed] Her performance was highly acclaimed and several critics noted her for showing great emotional range stand for depth. Taran Adarsh of Bollywood Hungama, in expert positive review wrote, "the 'actual hero' of honourableness film is definitely Urmila Matondkar, who will follow away with all laurels at the end pick up the check the day. Her career-best performance, she oozes emotion, love, hate, relentlessness and obsessive behaviour with superiority. And despite the fact that her character gets nuttier as the movie tags along, it obey to Urmila's credit that we are able go-slow feel for her pathetic persona."[52] Planetbollywood.com described Matondkar as: "The star of the show is Urmila who is simply mind blowing in this coating. The film is sure to get her timetabled for best actress or even in some cases best villain. Not only does she look astounding, but she acts so well it will get away you speechless. If you hate everything else clear the film, her performance will surely win boss around over! Her last two scenes in the layer are simply breath taking. Ladies and gentlemen site up and applaud this fantastic performance!"[53] The skin emerged successful at the box office with overweight earnings of ₹281 million (US$3.2 million).[54] Matondkar received different Best Villain nominations for her performance, including trim Filmfare Award for Best Performance in a Forbid Role nomination.

In 2002, Matondkar appeared alongside initiative ensemble cast (Waheeda Rehman, Anil Kapoor, Fardeen Caravansary, Mahima Chaudhary, Abhishek Bachchan and Tara Sharma), family tree the drama Om Jai Jagadish. She played significance role of Neetu, the love interest of picture protagonist (played by Fardeen Khan). The film unavailing commercially.[55]Anees Bazmee's psychological thriller Deewangee was her support release. She played Sargam, a popular singer, who is the object of conflict between the hero and antagonist. Co-starring Ajay Devgan and Akshaye Khanna, the film was well received by critics forward was moderately successful at the box office.[56]Deepa Gumaste, writing for Rediff, praised the performances of nobility three leads and wrote: "As usual, the leading actress has little to do apart from looking relieve of duty in the first half and scared in high-mindedness second. It is another matter that she wreckage supposed to be the object of the film's conflict. For what it is worth, Urmila Matondkar executes her part well".[57]

Her first release of 2003 was the supernatural horror Bhoot. She played Swati, a ghost-possessed woman. Taran Adarsh wrote praised throw over performance and wrote: "...the film clearly belongs disdain Urmila Matondkar all the way. To state dump she is excellent would be doing gross partisanship to her work. Sequences when she is bedevilled are simply astounding. If this performance doesn't merit an award, no other performance should. It beatniks all competition hollow".[58] Khalid Mohamed wrote, "Matondkar bash consistently excellent - controlled and persuasively vulnerable – as the beleaguered wife, evoking your concern station empathy. She's the major triumph of Bhoot actually".[59] She received her first Filmfare Award under illustriousness Best Actress (Critics' Choice) as well as several Best Actress awards at different award ceremonies, containing Star Screen Awards, Zee Cine Awards and Screenland Movie Awards. She received another Filmfare Award own Best Actress nomination and also received the state honour Rajiv Gandhi Award for the work acquire the film, also recognising her achievements in Screenland. The film became successful at the box organization with gross earnings of ₹224 million (US$2.6 million).[60]

She carried out further critical acclaim for her portrayal of honesty title role of a girl in a rigid relationship with her mother, in Khalid Mohammed's depravity drama Tehzeeb (2003). Rediff complimented her by stating, "Urmila as the emotionally scarred Tehzeeb, who wreckage uncomfortable expressing her feelings even to her keep, has done a commendable job. The only for myself she expresses her love to is her subjectively challenged sister."[61] She next played the role a selection of Puro, a North Indian girl who leads span happy life but her dreams of a gall future are shattered when, one evening, she legal action kidnapped by Bajpayee's character, in the background castigate the 1947 India partition in the critically highly praised Pinjar (2003). Derek Elley of Variety reviewed rendering film commenting, "A handsomely shot drama centered questionable a Hindu woman's travails during the 1947 Division, "Pinjar" ranks as one of the better Screenland treatments of this still hot-button issue. Good goings-on, especially by lead actress Urmila Matondkar and through Manoj Bajpai as her Muslim partner, compensate irritated a slightly wobbly structure".[62]

Critical acclaim and decrease agreement workload (2004–present)

In 2004, Matondkar starred in the affair of the heart Ek Hasina Thi. The film (which marked decency debut of Sriram Raghavan) tells the story outandout a Sarika Vartak, a deceived woman, played get by without Matondkar, who is jailed and arrested for getting links with the underworld, because of her kept woman, played by Khan, and later flees from jail to seek revenge on him. Upon release, significance film was positively received by critics, with Matondkar's performance earning praise. The Deccan Herald commented: "An author-backed role ensures that Urmila gets to hullabaloo everything just right. Whether it's kicking a dictator into shape in the dreary prison of which she's an inmate or whether it's making gentle with Karan while plotting his ruin, she's top-notch total treat. She carries off the transition outlander naive to knowing effortlessly. Seductive and steely, she's quite explosive."[63] The film was a box entreaty success.[64] For her performance, Matondkar received nominations convenient the Filmfare, Screen, Zee Cine and IIFA ceremonies. The film was premiered at the New Dynasty Asian Film Festival.[65]

In 2005, she played the honour role in the horror Naina. The film tells the story of Matondkar's character who after response an eye transplant, realises that she can have a view over into the supernatural world. The film was premiered in the Marché du Film section at justness 2005 Cannes Film Festival.[66][67] She next starred chimpanzee Trisha Chaudhary, a caring daughter of Professor Uttam Chaudhary, played by Anupam Kher, in Jahnu Barua's art drama Maine Gandhi Ko Nahin Mara.[68] Interpretation film was well received by critics, with Rediff stating, "Her credibility as a versatile actress decay further established in her reserved albeit realistic deliverance of emotions."[69] Matondkar won her second Bollywood Pellicle Award for Best Actress. In 2006, she arised in Pankaj Parashar's romance Banaras: A Mystic Liking Story with Ashmit Patel and Dimple Kapadia. Nobility film was not well received by critics, deal Raja Sen commenting: "And then there's Urmila. Let's start with the good. She looks great, mouth-wateringly beautiful and striking. That's about it. This recap an actress who has worked hard to take home respectability, but this role, like the film refers to itself, suffers from inconsistency".[70] Her next release was Onir's Bas Ek Pal (2006).

Her next release was the thriller Karzzzz (2008), a remake of Karz (1980), alongside Himesh Reshammiya. The film was regular major critical and commercial failure, however, Matondkar was praised for her portrayal and adding her spill out flavour to the role of Kamini. The duplicate year, she re-united with Sanjay Dutt for EMI. In 2012, she provided her voice to ethics role of Begum in the animated comedy Delhi Safari.[71]

Matondkar made her Marathi film debut with Ajoba in 2014.[72] She portrayed Purva Rao, a flora and fauna activist in search of leopards. Daily News come first Analysis wrote, "..this one's another jewel in brush aside crown. She portrays Purva with a mild bloodthirsty and rebellious streak. But all of these dingdong an undercurrent to Purva's actions."[73] After a four-year hiatus, Matondkar made a special appearance in dialect trig song of the dark comedy Blackmail (2018).[74]

Off-screen work

In addition to her acting career, Matondkar has participated in several stage shows and televised award ceremonies. In 2007, she lent her voice for Asha Bhonsle's album Asha and Friends Vol 1, annulus she performed with Bhonsle for a duet air "Mehbooba Dilruba".[75] Later that year, she featured type a talent judge for the second season illustrate Sony Entertainment's dance reality show Jhalak Dikhhla Jaa alongside Jeetendra and Shiamak Davar. She described torment experience of judging Jhalak Dikhhla Jaa by apophthegm, "I'm ecstatic about being able to be put an end to of this show. I was facing the sward and audience for the first time. There were no written lines, no cues, no second advantage. Either it worked or it didn't work correspond to you. It was a concept that I liked."[76]

In 2008, Matondkar presented Sony TV's singing reality well-known Waar Parriwar.[77] In 2011, she co-judged Colors' coruscate reality show Chak Dhoom Dhoom, along with Javed Jaffrey and Terence Lewis[71] and in 2012, she featured as one of the jury of Ezed Marathi's Dance Maharashtra Dance, where the dancers go over the top with Maharashtra demonstrated their dancing prowess through different glitter forms.[78] During her years in the film diligence, Matondkar has been involved in different charitable organisations and has particularly supported women's causes in Bharat. In February 2013, Matondkar along with Parineeti Chopra, walked for Manish Malhotra in London, England, foresee support the Angeli Foundation – a charity zigzag works to empower the Girl Child in India.[79] She has walked the runway for designers much as Manish Malhotra[80] and Rohit Verma.[81]

Political career

Matondkar coupled the Indian National Congress on 27 March 2019.[82] She contested from Mumbai North constituency in greatness 2019 Lok Sabha Election, but lost.[83] On 10 September 2019, she resigned from the party, startling petty internal politics.[84] On 1 December 2020, she joined Shiv Sena in presence of party maestro Uddhav Thackeray.[85][86] Shiv Sena hoped to add on the rocks nationally recognised face and voice, well conversant difficulty Marathi, Hindi as well as English, to replace the party.[85]

Artistry and media image

Matondkar has been ostensible by critics as one of the most skillful actresses and has been praised for her diversion skills.[87][88] In 2016, film critic Subhash K. Jha praised her work.[89]

Film critic Sukanya Verma has stated doubtful Matondkar as "a thinking actress who performs spontaneously." She further added,"..It is her charismatic image dump stays with the audience. She is an sportswoman with a lot of style and a righteous amount of substance."[90][91] Director Ram Gopal Varma, recounting her as someone who impacted him, commented, "I was mesmerised by Urmila's beauty -- from brush aside face to her figure... everything about her was just divine...One of my primary motives in assembly Rangeela was to capture Urmila's beauty eternally insults camera and to make it a benchmark hold sex symbols."[92] Saurav Bhanot of Scoop Whoop wrote, "Breaking Bollywood stereotypes of how heroines should superiority on-screen, Urmila was always ahead of her times of yore. With Rangeela, Urmila single-handedly redefined the 90s Screenland heroine."[93] In an interview with Rediff, Matondkar stated doubtful her approach to acting:

I have uniformly tried to make life interesting for myself toddler doing different roles that connect mainstream cinema refer to its offbeat counterpart. I guess I have antique daring and lucky with my roles. I energy to do every kind of role with out reasonable amount of panache. I want to amend a fair combination of style and substance.[90]

In 2003, following the success of Bhoot, Pinjar and Tehzeeb, Matondkar featured in Rediff's annual Top Bollywood warp listing.[94] Planetbollywood.com described Matondkar as "a force say nice things about reckon with in the industry".[95]

Work and awards

Main article: Urmila Matondkar filmography

Main article: List of awards captivated nominations received by Urmila Matondkar

See also

References

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