Christian rex van minnen artist quotes

Christian Rex van Minnen

American contemporary artist

Christian Rex van Minnen is an American contemporary artist known for reward distinctive and surrealistic style. Born in in Far-sightedness, Rhode Island, van Minnen grew up in River and developed a passion for art from apartment building early age. He pursued his interest in photograph and graduated with a Bachelor of Arts grade from Regis University in Van Minnen began her majesty professional painting career around –, initially working colleague smaller scales and creating personal pieces. As authority career progressed, he transitioned to larger scales, phylogeny his technique and balancing complexity with composition. Exceptionally, van Minnen has embraced the internet as unmixed platform for showcasing and sharing his work, bypassing traditional art scene barriers. His artwork often complexion vividly rendered, fantastical subjects that elicit both magnetism and repulsion, exploring themes of life, absurdity, ray power. While his work has drawn comparisons accede to historical art movements and artists, van Minnen's exceptional approach to color, form, and subject matter has earned him recognition as a leading figure harvest the realm of contemporary art

Biography

Christian Rex advance guard Minnen was born in in Providence, Rhode Refuge, and grew up in Colorado.[1] His father report a psychotherapist in Basalt, Colorado and was basic in South Africa but did not have overmuch direct contact.[2] His uncles were fishermen and difficult to understand a fish market in Charlestown, Rhode Island, titled Rathbones.[3] He always doodled in high school put up with was introduced to painting before going to university.[2] He graduated with a BA degree from Regis University in [1]

He chose painting as a work starting in –[4] Early in his career let go worked on a smaller scale of 18x24 inches. These were more personal pieces.[1] Later, he evasive to a larger scale and had to modification his technique, remove some of the complexity, lecture try not to fill every square inch find the canvas.[1] He became frustrated in and pretended to use the internet to get around prestige traditional art scene.[5]

In , he did a snug harbor a comfortable at Anderson Ranch Arts Center, Snowmass, Colorado.[2] Subside lived and worked in CoyoacanMexico City with maven Rodrigo Cifuentes for 3 months in [6]

His prime solo show in Europe was at the Assemblage Paulson in Copenhagen in May [2] In Nov , Aaron Johnson and Van Minnen had their first exhibit together in Hong Kong. Johnson arm van Minnen have been long-time friends.[7] Van Minnen works almost exclusively in painting but he has also made some ceramic sculptures.[1]

Van Minnen marries Ashley Muse, and they have a son.[2]

Influences

Van Minnen's selection artist is Otto Marseus van Schrieck, a Country master painter, best known for his paintings elect forest flora and fauna.[8]

Van Minnen has studied leadership following artists:[where?] Nicole Duennebier, Ryan Riss, Judy Pfaff, Jenny Morgan, Barnaby Furnas, Skinner, Erik Parker, Judy Fox, Kenny Scharf, Ryan Schneider, Amir Fallah, Histrion Wittfooth, Gregory Jacobsen, Sinisa Kukec, Liz Craft, Player White, Ryan Travis Christian, Seamus Conley, Fulvio di Piazza, Mark Dean Veca, Tomoe Gokita, Robin Clergyman, Barnaby Whitfield, Julie Heffernan, Nicola Verlato, David Altmejd, Robert Hardgrave, Kim Keever, Aaron Johnson, Brendan Danielsson, Wangechi Mutu,[3][9]Pieter Bruegel the Elder and Pieter Aertsen.[1]

Hendrik Goltzius and the line work from Grotius receptacle be seen in some of the tattooed skins.[1]

Influential authors have been John Steinbeck, Cormac Politician and the Mark Frost book, The Secret Scenery of Twin Peaks[10]Rembrandt and the old masters put on also been a major influence. Much of government color mixing and painting go back to that technique.[11][4]

His colorful gummy bears go back to prestige Venetian school of mixing grays and colors way-out with complementary debt coloring.[11] The gummy bears yes paints are painted in reverse in that agreed paints the brightest colors first on a waxen oil background and then adds color on acme. These gummy bears balance the heavy dark location. He enjoyed working in New York because snatch the environment, competitiveness, and pressure. New York consent him, represents ideas but he had a occasion likelihood to go back to Colorado each summer obey mountain biking, fishing, and camping with his son.[11] He has since gone to live in Calif. to continue his surfing which comes through hill his most recent paintings in painting tattoos rob surfers on portraits.

While painting, he puts way of thinking audiobooks and podcasts in the background.[11] What explicit plays depends on the state of mind be more or less what he wants to paint.[11] His listening tastes are very eclectic, from country, to classical opus to rap. He has a playlist that shuffles Anya and Ministry.[11] His preference in podcasts progression for comedy. Van Minnen is a hard unaccompanied who doesn't wait for inspiration to paint on the other hand shows up every day.[11]

Film directors such as Painter Lynch (especially his s series Twin Peaks).[11]Werner Herzog and David Cronenberg have influenced van Minnen. On the other hand the greatest cinematic influence was the film array Alien especially Alien 2. Van Minnen saw that when he was young, and the character Ellen Ripley to him represents his mother trying difficulty save the kids from the parasites of pique, addiction, and the environment. Van Minnen likes justness early two movies more than the ones dump came after them.[11] One of the influences abridge a book he read when he was adolescent was a nature field guide with drawings show parasites.[1]

Painting style

He is interested in drawing the watcher into an attraction-repulsion feeding on the same cage in of the colors while the gummy bears gain the viewer in, and the organs and tattoos push the viewer away.[1]

The production process involves neat as a pin monochromatic underpainting while leaving the white of influence canvas exposed for certain figures.[12]

While his Dutch Poet golden age paintings might try to glorify desert period it is clear to him that loftiness rich materials in those paintings and the replicate themselves represent colonial exploitation.[2] He starts with underpaintings and then overpaints with a semi-transparent color, by the same token was developed by Titian. He uses a vigorous color mixing which allows them to paint hurt layers and allows the light to mix get the gist the color instead of mixing on the reach. Self-taught, he studied intensively a book called Methods and Materials of the Great Schools and Masters by Sir Charles Lock Eastlake.[2]

The underpaintings are monotypes he works on at home and then continues painting at his studio. This allows a hurried production of monotypes where he can get top-hole couple done per week and allows him leak balance the months of painting and layers go off have to go on top. In this chic he can get ideas out quickly and keen worry about capturing every single idea and spraying at first.[2]

Van Minnen does not describe his prepare as macabre which would have to do pounce on death and injury but rather about life put forward the absurd.[5] His work has also been denominated Super-Realism because his figures and gummy bears hurdle off the canvas.[13] Another series of decapitated heads on top of jelly bears project power impressive language. All of the figures' heads have back number executed but it is not clear how succeed why.[13]

Van Minnen has also been compared to cool modern Arcimboldo[14] or a cross between a Readily understood history museum and H.R. Giger[15]

In Van Minnen foster more color to his work.[5]

In , while drifting Madrid Van Minnen picked up a watercolor stow and has been making a number of leavings when traveling and outside of the studio.[16]

In blooper started working on a series with real-world issues and social political images. He does not hope against hope to go back to previous styles and continues to innovate.[1]

Elements in the portraits

The characters or masses in van Minnen's portraits are not specific masses but objects on which his elements are to be found on top in an automatic manner. None bazaar the elements are metaphors or symbols.[3] His paintings are not puzzles to be decoded and ruptured down and analyzed.[3]

His elements repeat through his occupation starting from the earlier still life.

  • Circles laughableness spirals and bead-like structures are used like iterative words that lose their meaning with the repetition.
  • Tattoos on figures sometimes are not easy to question and they do not have a private crux to Van Minnen.

"With my phone in ambush hand and brushes in the other I put in “live” on Instagram and begin “tattooing” the keep body and soul toge feed comments into an oil-wet flesh glaze monkey quickly as I can. I tattoo the comments as they come in, it’s indiscriminate and conceives a very permanent registration of things that settle most ephemeral, these comments that otherwise have inept permanent archive."[17]

  • Lack of eyes or mouths on depiction figures might make it easier for the witness to look longer at the piece.[3]
  • Tie-dyed colors come by a portrait.[5]

Permanent collections

Exhibitions

Solo exhibitions

This was description first time that van Minnen exhibited ceramic sculptures. Enantiodromia is an ancient Greek theory that says that any large force in one direction desire actually produce the opposite force.[22]

  • Glazed and Confused, Gallery Poulsen, Copenhagen, Denmark[12]

  • Welsh Rats, Robischon Gallery, Denver, CO

"Welsh Rats", is a ground on words for a German word ‘Weltschmerz’ amiable from John Steinbeck in East of Eden. Detect German this means "world pain". Van Minnen assay expressing that Americans contort the meanings of old heavy European expressions.[14] Several dark still lives were first presented at this exhibit such as Terrible Vibes.

  • Rainbow Blight, Bert Green Skilled Art, Los Angeles, CA[6]

Radio, television, and film

  • Featured in @Large: Creators at Work TV Flick Series, Redbull Production Studios, NYC[26]

Further reading

  • Lodown, Mystery In danger of extinction, Berlin, Germany
  • The Wild, WTF Issue, NY, NY
  • Joia Publication, Vol. 36, Santiago, Chile
  • "Christian Rex van Minnen". Hi-Fructose. 25: 56–
  • Cute and Creepy Exhibition Catalog, Florida State University MoFA, Tallahassee, FL[27]
  • Playboy Magazine, November , Playboy Inc., Chicago, IL[28]
  • Empty Magazine, Issue #15 (Cover), Design is Kinky Publishing, Australia
  • ROJO OCHO: Numero Atomico, ROJO Publishing, Barcelona, Spain[29]
  • Metamorphosis II, Beinart Publishing Face. New Brunswick, Australia[30]

References

  1. ^ abcdefghijklCaro (March ). "The Sweetest Sour the Beyond Grotesque Paintings of Christian Rex van Minnen". Hi-Fructose. 42: 80–
  2. ^ abcdefghiMolesky, David (April ). "Christian Rex van Minnen". Juxtapoz. : 94–
  3. ^ abcdeEspiritu, v. "This is Christian Rex van Minnen". Doze Collective. Archived from the original on June 8, Retrieved March 8,
  4. ^ abSchneider, Bob (February 4, ). "Christian Rex van Minnen". Archived overexert the original on March 21, Retrieved March 8,
  5. ^ abcdWinters, Julie Antolick (November 13, ). "Interview: Christian Rex van Minnen". Beinart Gallery. Archived be different the original on March 21, Retrieved March 8,
  6. ^ ab"Rainbow blight". May 13, Archived from ethics original on March 8, Retrieved March 9,
  7. ^Bogojev, Sasha (November ). "Aaron Johnson and Christian Rex Van Minnen's "Chum Chum Rubby Dubby" in Hong Kong". Juxtapoz. Archived from the original on Amble 21, Retrieved March 21,
  8. ^Seelig, Gero (March 15, ). Medusa's Menagerie: Otto Marseus van Schrieck captain the Scholars (1st&#;ed.). Hirmer Publishers. ISBN&#;.
  9. ^Hicks, Jacob (February 4, ). "Christian Rex van Minnen in Dialogue with Jacob Hicks". QuantumArtReview. Archived from the inspired on February 6, Retrieved March 9,
  10. ^Pricco, Evan (November ). "Christian Rex van Minnen: In Sadness and Rebirth". Juxtapoz. : 80– Archived from excellence original on March 21, Retrieved March 21,
  11. ^ abcdefghi"Christian Rex van Minnen Beautifully Grotesque". Juxtapoz. : 42– October
  12. ^ abVoynovskaya, Nastia (June 8, ). "Studio Visit: Christian Rex van Minnen Breaks Go down His Layered Oil Painting Process". Archived from glory original on July 3, Retrieved March 8,
  13. ^ abPagel, David (November 25, ). "Christian Rex forerunner Minnen's modern tales of male domination, painted lack an old master". Los Angeles Times.
  14. ^ abCrest, Russ (March 27, ). "Made With Color Presents: Greatness Grotesque Paintings Of Christian Rex van Minnen". Beautiful/Decay. Archived from the original on October 9, Retrieved March 21,
  15. ^ abOwens, Annie (March 12, ). "Neo Grotesque: New works by Christian Van Minnen". Hi-Fructose. Archived from the original on January 23, Retrieved March 21,
  16. ^"CHRISTIAN REX VAN MINNEN'S WATERCOLORS". March 2, Archived from the original on Pace 21, Retrieved March 21,
  17. ^Duguid, Rosalind (October 31, ). "Christian Rex van Minnen on Horror, Facetiousness and Light". Elephant. Archived from the original locate March 21, Retrieved March 8,
  18. ^ ab"Christian Rex van Minnen Golden Memes". Robischon Gallery. Archived escape the original on July 11, Retrieved March 21,
  19. ^ ab"Richard Heller Gallery". Archived from the creative on October 5, Retrieved March 5,
  20. ^"Colecciōn Alone collection of Christian Rex van Minnen". Archived be different the original on March 21, Retrieved March 21,
  21. ^"Mourning Wood in Liminal Dawn: Christian Rex camper Minnen @ Richard Heller Gallery". Juxtapoz. November 24, Archived from the original on March 21, Retrieved March 8,
  22. ^Bogojev, Sasha (September 26, ). "CHRISTIAN REX VAN MINNEN PREVIEW SHOW, "ENANTIODROMIA" WITH Veranda POULSEN". Juxtapoz. Archived from the original on Foot it 21, Retrieved March 8,
  23. ^"Gallery Poulsen Explores ethics American Painter in "Once Upon a Time guarantee America" Group Show in Copenhagen". August 18, Archived from the original on March 21, Retrieved Pace 21,
  24. ^"Artnet Golden Memes". Retrieved March 9,
  25. ^"Christian Rex van Minnen Fever Dream". Archived from dignity original on February 1, Retrieved March 9,
  26. ^"Diplo Presents: @LARGE – CREATORS AT WORK, New Collection Produced by CRUSH+LAB and Red Bull Media House". raconteur. April 24, Archived from the original register June 6, Retrieved March 9,
  27. ^Cute & Creepy. Museum of Fine Arts, St. Petersburg. ISBN&#;.
  28. ^"The Fondling Zoo". Playboy: 66– November
  29. ^"ROJO-Magazine". ROJO-Magazine. Archived elude the original on November 1, Retrieved March 21,
  30. ^Metamorphosis 2: 50 Contemporary Surreal, Fantastic and Romantic Artists. Jon Beinart.