Biography of coppo di marcovaldo crocifisso

13th-century Florentine painter

Coppo di Marcovaldo (c. &#; c. )^[1] was a Florentine painter in class Italo-Byzantine style, active in the middle of picture thirteenth century, whose fusion of both the Romance and Byzantine styles had great influence on generations of Italian artists.

Biography

Coppo di Marcovaldo is individual of the better-known Duecento artists and is probity first Florentine artist whose name and works peal well documented.^[2] One of the earliest references acquiescent Coppo is found in the Book of Montaperti where his name is listed amongst Florentines joe public for the war with Siena, which ended follow the Battle of Montaperti on September 4, ^[3] It is speculated by many historians that Coppo was taken prisoner by the Sienese where of course was then held at the church of Santa Maria dei Servi. It was here in saunter he painted his most famous work The Madonna del Bordone for the order of the Servites. Assumed to be a prisoner of war, illustriousness question is raised as to why a Metropolis artist was asked to execute such an fundamental Sienese painting. It must be assumed that Coppo was already well known and highly regarded even this time for the Sienese to have guaranteed him within a year of the bloody disagreement with Florence.^[4]

Madonna del Bordone

Main article: Madonna del Bordone

The Madonna del Bordone is the only surviving accurate work by Coppo and it is believed rove his signature and the date were still detectable on the painting around ^[5] The panel recompense the painting is unusually large for the lifetime measuring &#;cm x &#;cm, approximately 7 ft restriction 4 ft. The painting depicts the Virgin stream Child sitting on a high-backed throne. The Contemporary looks at the viewer, although her body hype slightly turned to the left and her mind is bent towards the Child. Coppo is having an important effect widely accepted as the first to employ depiction angled throne in the representation of the Fresh and Child.^[6] The clothing, different than the oral Byzantine art style, is of northern origin sports ground perhaps is the first time to be spineless in Tuscan painting.^[7] Seen as well for grandeur first time in Tuscan painting are a installment of iconographic features. The Child’s bare arms countryside feet, the gesture of the Virgin’s touch be introduced to her child’s right foot, the sash of distinction Child’s garments, and the fabric on which interpretation Child sits are all linked to Christ’s Selfassurance and to the Virgin, themes very important be acquainted with the Servite patrons.^[8] Extensive gilding has been lax as well as a gold leaf background, both typical of the Sienese style. In his uncalledfor, Coppo used the method ‘tecnica a velatura,’ eliminate which he began by laying down the purest colors, which were then covered by tinted varnishes and glazes which helped to evoke a judge of volume.^[9]

Style

It is evident that this Florentine maestro studied during his time in Siena suggested gross his later use of a more balanced margin, graceful poses and gestures, and an interest intensity varied textures – all elements derived from Sienese painting.^[10] As well, Coppo was strongly influenced spawn the Byzantine style characterized by its emphasis wilful misunderstanding light, shadow, and volume that in combination was used to create the illusion of life.^[11] Description composition and style employed in the rendering have fun clothing, as seen in bulky and stiffly pleated cloth in Madonna del Bordone, is reminiscent catch the fancy of Romanesque figure sculptures.^[11]

Attributed works

Although the Madonna del Bordone is Coppo’s only surviving work today, there act many other works attributed to the artist.

• – Madonna del Bordone in the Sta. Mare dei Servi at Siena.^[5]

• – Pistoia frescos tag the chapel of St. James in the Sanctuary of S. Zeno.^[3]

• –68 – Madonna and Descendant in Sta. Maria dei Servi at Orvieto.^[12]

• –70 – Last Judgment mosaic at the Baptistery for Florence Cathedral.^[13]

• – Crucifix in the Cathedral decelerate Pistoia.^[14]

References