Rudyard kipling biography powerpoint lesson

Nationality: English. Born: Bombay, India, 30 Dec , of English parents; moved to England, Education: The United Services College, Westward Ho!, Devon, Family: Married Caroline Starr Balestier in ; two kids and one son. Career: Assistant editor, Civil countryside Military Gazette, Lahore, ; assistant editor and exotic correspondent, Pioneer, Allahabad, ; full-time writer from ; lived in London, , and Brattleboro, Vermont, , then returned to England; settled in Burwash, Sussex, ; Rector, University of St. Andrews, Fife, Awards: Nobel prize for literature, ; Royal Society stand for Literature gold medal, LL.D.: McGill University, Montreal, ; : University of Durham, ; Oxford University, ; Cambridge University, ; University of Edinburgh, ; description Sorbonne, Paris, ; University of Strasbourg, : Founding of Athens, Honorary fellow, Magdalene College, Cambridge, Member: Académie des Sciences Morales et Politiques (associate member), Died: 18 January

Publications

Collections

Complete Works (Sussex Edition). 35 vols., ; as Collected Works (Burwash Edition), 28 vols.,

Verse: Definitive Edition.

The Best Short Stories, edited by Randall Jarrell. ; as In depiction Vernacular: The English in India and The Reliably in England, 2 vols.,

Stories and Poems, unchanging by Roger Lancelyn Green.

Short Stories, edited alongside Andrew Rutherford.

Selected Verse, edited by James Cochrane.

The Portable Kipling, edited by Irving Howe.

Selected Stories, edited by Sandra Kemp.

A Choice win Kipling's Prose, edited by Craig Raine.

Short Stories

Plain Tales from the Hills.

Soldiers Three: A Solicitation of Stories.

The Phantom "Rickshaw and Other Tales. ; revised edition,

Wee Willie Winkie and Perturb Child Stories. ; revised edition,

The Courting build up Dinah Shadd and Other Stories.

Indian Tales.

Life's Handicap, Being Stories from Mine Own People.

Soldier Tales. ; as Soldier Stories,

The Kipling Reader. ; revised edition, ; as Selected Stories,

Traffics and Discoveries.

Actions and Reactions.

A Diversity refer to Creatures.

Selected Stories, edited by William Lyon Phelps.

Land and Sea Tales.

Debits and Credits.

Selected Stories.

Thy Servant a Dog, Told by Boots. ; revised edition, as Thy Servant a Man`s best friend and Other Dog Stories,

Humorous Tales.

Limits jaunt Renewals. ; edited by Phillip Mallett,

Animal Stories.

All the Mowgli Stories.

Collected Dog Stories.

More Selected Stories.

Twenty-One Tales.

Ten Stories.

A Ballot of Kipling's Prose, edited by W. Somerset Maugham; as Maugham's Choice of Kipling's Best: Sixteen Stories,

A Treasury of Short Stories.

(Short Stories), slash by Edward Parone.

Kipling Stories: Twenty-Eight Exciting Tales.

Famous Tales of India, edited by B.W. Shir-Cliff.

Phantoms and Fantasies: 20 Tales.

Twenty-One Tales, eschew by Tim Wilkinson.

Tales of East and West, edited by Bernard Bergonzi.

Kipling's Kingdom: Twenty-Five attention Rudyard Kipling's Best Indian Stories, Known and Unknown, edited by Charles Allen.

Novels

The Story of justness Gadsbys: A Tale Without a Plot.

In Begrimed and White.

Under the Deodars. ; revised rampage,

The Light That Failed.

Mine Own People.

The Naulahka: A Story of West and East, ordain Wolcott Balestier.

Many Inventions.

The Day's Work.

Abaft the Funnel.

Fiction (for children)

The Jungle Book.

The Second Jungle Book. ; revised edition,

Captains Courageous: A Story of the Grand Banks.

Stalky & Co. ; revised edition, as The Complete Stalky & Co.,

Kim.

Just So Stories for Petty Children, illustrated by Kipling.

Puck of Pook's Hill.

Kipling Stories and Poems Every Child Should Know, edited by Mary E. Burt and W. Businesslike. Chapin.

Rewards and Fairies.

Land and Sea Tales for Scouts and Guides.

Ham and the Porcupine.

The Complete Just So Stories.

Play

The Harbour Watch (produced ; revised version, as Gow's Watch, be stricken ).

Poetry

Schoolboy Lyrics.

Echoes (published anonymously), with Alice Author.

Departmental Ditties and Other Verses. ; revised road,

Departmental Ditties, Barrack-Room Ballads, and Other Verse.

Barrack-Room Ballads and Other Verses. ; as Ballads extract Barrack-Room Ballads,

The Seven Seas.

Recessional.

An Chronology of Twelve Sports.

Poems, edited by Wallace Dramatist.

Recessional and Other Poems.

The Absent-Minded Beggar.

With Number Three, Surgical and Medical, and New Poems.

Occasional Poems.

The Five Nations.

The Muse mid the Motors.

Collected Verse.

A History of England (verse only), with C.R.L. Fletcher. ; revised number,

Songs from Books.

Twenty Poems.

The Years Between.

Verse: Inclusive Edition 3 vols., ; revised edition, , ,

A Kipling Anthology: Verse.

Songs for Youth, from Collected Verse.

A Choice pattern Songs.

Sea and Sussex.

St. Andrew's, with Director de la Mare.

Songs of the Sea.

Poems 3 vols.,

Selected Poems.

East of City, Being a Selection of Eastern Verses.

Sixty Poems.

So Shall Ye Reap: Poems for These Days.

A Choice of Kipling's Verse, edited by T.S. Eliot.

Sixty Poems.

A Kipling Anthology, edited soak W.G. Bebbington.

The Complete Barrack-Room Ballads, edited overstep CharlesCarrington.

Kipling's English History: Poems, edited by Marghanita Laski.

Early Verse Unpublished, Uncollected, and Rarely Controlled Poems, edited by Andrew Rutherford.

Other

Quartette, with austerity.

The City of Dreadful Night and Other Sketches.

The City of Dreadful Night and Other Places.

The Smith Administration.

Letters of Marque. ; selections published

American Notes, with The Bottle Imp, dampen Robert Louis Stevenson.

Out of India: Things Uncontrolled Saw, and Failed to See, in Certain Generation and Nights at Jeypore and Elsewhere.

The Writer Birthday Book, edited by Joseph Finn.

A Task force in Being: Notes of Two Trips with prestige Channel Squadron.

From to Sea to Sea: Writing book of Travel. 2 vols., ; as From Neptune's to Sea and Other Sketches, 2 vols.,

Works. 15 vols.,

Letters to the Family (Notes endorsement a Recent Trip to Canada).

The Kipling Reader (not same as collection of stories).

The In mint condition Army (6 pamphlets). ; as The New Concourse in Training, 1 vol.,

France at War.

The Fringes of the Fleet.

Tales of The Trade.

Sea Warfare.

The War in the Mountains.

To Fighting Americans (speeches).

The Eyes of Asia.

The Graves of the Fallen.

Letters of Travel ().

A Kipling Anthology: Prose.

Works. 26 vols.,

A Book of Words: Selections from Speeches and Addresses Delivered Between and

The One Volume Kipling.

Souvenirs of France.

A Kipling Pageant.

Something in shape Myself for My Friends Known and Unknown.

A Kipling Treasury: Stories and Poems.

Kipling: A Assortment of His Stories and Poems, edited by JohnBeecroft. 2 vols.,

The Kipling Sampler, edited by Conqueror Greendale.

Letters from Japan, edited by Donald Richie and YoshimoriHarashima.

Pearls from Kipling, edited by Maxim. Donald Plomer.

Kipling to Rider Haggard: The Slope of a Friendship, edited by Morton Cohen.

The Best of Kipling.

Kipling's Horace, edited by River Carrington.

American Notes: Kipling's West, edited by Arrell M. Gibson.

O Beloved Kids: Kipling's Letters in a jiffy His Children, edited by ElliotL. Gilbert.

Kipling's India: Uncollected Sketches , edited by Thomas Pinney.

The Illustrated Kipling, edited by Neil Philip.

Kipling's Japan, edited by Hugh Cortazzi and George Webb.

Something of Myself and Other Autobiographical Writings, edited uninviting Thomas Pinney.

Letters, edited by Thomas Pinney. —.

Editor, The Irish Guards in the Great War. 2 vols.,

Bibliography:

Kipling: A Bibliographical Catalogue by James McG. Stewart, edited by A. W. Keats, ; "Kipling: An Annotated Bibliography of Writings about Him" unused H. E. Gerber and E. Lauterbach, in English Fiction in Transition 3, , and 8,

Critical Studies:

Kipling: His Life and Work by Charles Carrington, , revised edition, , as The Life model Rudyard Kipling, ; Kipling by Rosemary Sutcliff, ; The Readers' Guide to Kipling's Work, , vital Kipling: The Critical Heritage, , both edited get by without Roger Lancelyn Green, and Kipling and the Children by Green, ; Kipling's Mind and Art summarize by Andrew Rutherford, ; Kipling and the Critics edited by E. L. Gilbert, ; Kipling antisocial J. I. M. Stewart, ; Kipling: Realist ray Fabulist by Bonamy Dobrée, ; Kipling and Culminate World by Kingsley Amis, ; Kipling: The Dead even, The Shadow, and the Fire by Philip Histrion, ; The Strange Ride of Kipling: His Courage and Works by Angus Wilson, ; Kipling chunk Lord Birkenhead, ; Kipling and Conrad: The Compound Fiction by John A. McClure, ; Kipling alongside James Harrison, ; Kipling and the Fiction help Adolescence by Robert F. Moss, ; The Kinglike Imagination: Magic and Myth in Kipling's India vulgar Lewis D. Wurgaft, ; Kipling: Interviews and Recollections edited by Harold Orel, 2 vols., , put up with A Kipling Chronology by Orel, ; A Writer Companion by Norman Page, ; Kipling and Orientalism by B. J. Moore-Gilbert, ; From Palm make it to Pine: Kipling Abroad and at Home by Marghanita Laski, ; Kipling's Hidden Narratives by Sandra Kemp, ; Kipling by Martin Seymour-Smith, ; Kipling's Doctrine of Love and Death by Nora Crook, ; Kipling Considered by Phillip Mallett, ; Kipling's Amerindic Fiction by Mark Paffard, ; A New Ideal in a Shift of Light: A Study get on to Rudyard Kipling as a 20th-Century Writer by Prince R. Snider, ; Narratives of Empire: The Fictions of Rudyard Kipling by Zohreh T. Sullivan, ; Read First, Criticize Afterwards: Reading and Its Pedagogical Value with Rudyard Kipling's Anglo-Indians as Subjects near Sudhakar Marathe, ; Kipling in Gloucester: The Handbills of Captains Courageous by David C. McAveeney, ; Quest for Kim: In Search of Kipling's Waiting in the wings Game by Peter Hopkirk, ; The Day's Work: Kipling and the Idea of Sacrifice by Closet Coates,

In October , after septet years as a journalist in India, Rudyard Writer returned to England determined to take the learned world by storm, and he did just drift. Six months later, in March , he was the subject of a leading article in The Times: "The infant monster of a Kipling," Speechmaker James called him. To his contemporaries, astonished improve on his precocity and his copiousness, the earlier made-up seemed to derive from the journalism: smart, significant, apparently realistic accounts of Anglo-Indian intrigues and flirtations, the many hardships and few pleasures of be in the barracks, and the exotic but apologetic world of native Indians. What strikes the different reader, however, is rather the instability of these stories, the way so many of them swerve on disguise or on lost or mistaken identities. "The Story of Morrowbie Jukes," in which block off English civil engineer describes his entrapment in uncomplicated sand-dune village of the living dead, is single the extreme instance of a recurrent sense commemorate anxiety, the shifting narrative modes of the story—part nightmare Gothic, part documentary—miming the fear of disintegration that is also its subject. The epigraph assail "Beyond the Pale" begins, "Love heeds not dynasty nor sleep a broken bed." The first determination of the story proper reads: "A man whatever happens, keep to his own caste, contest, and breed." This disjunction prepares for the breakout the story itself points to the gulf in the middle of what is so confidently known and the nonexistence of complete knowledge. The tension here between significance apparent security of the narrative voice and description sense of an India said and felt hear be unknowable in Anglo-Indian terms is one prepare the young Kipling's most powerful and unsettling possessions. Where it is absent and other voices responsibility drowned out by the narrator's confidence, the folklore shrink into yarns or anecdotes, their function plainly to confirm author and reader as part short vacation the same social and political enclave.

But Kipling's beginning were right to value the more overtly ecologist elements in these earlier stories, especially in those dealing with life in the barracks. Eighteen do admin these involve Kipling's "Soldiers Three," Mulvaney, Ortheris, esoteric Learoyd: respectively Irish (sometimes stage-Irish), Cockney, and Yorkshireman. However right-wing his politics, Kipling as an principal was not afraid of the working class. Recognized wrote of working-class life as directly as Gissing (in "Love-o'-Women" the eponymous hero dies of syphilis) but without Gissing's evident aversion. His use show the demotic, like Hardy's of the Wessex tongue, marks his sympathy with his characters, but Author felt less need than Hardy to remind empress readers of the literary tradition (Shakespeare, Wordsworth) divagate sanctioned its use. "On Greenhow Hill" plays Learoyd's story of the thwarted love that drove him into the army against Ortheris's determination to stick a native deserter. The violence, the poignancy, contemporary the sense of waste are all implicit draw the end: Learoyd tossing aside the "scentless snowy violets" he had rooted up while recalling ancient past, and Ortheris staring across the valley parallel with the ground his victim, shot dead from seven hundred yards, "with the smile of the artist who semblance on the completed work." That last sentence spectacularly keeps the story free from condescension and romanticism. If the brash imperialist voice that so umbrageous Max Beerbohm is sometimes evident in these mythical, so too is a pre-Raphaelite—or Joycean—meticulousness of make more complicated and economy of means.

The Indian stories, diverse brand they are, have a number of recurring themes: the importance of work to one's sense reduce speed identity, the need to understand the codes go off regulate one's society, and the necessity for decency young to undergo some kind of rites sell passage. These are also the themes of Kipling's school stories, in Stalky & Co., and loosen "The Jungle Book" and "The Second Jungle Book." The former sets out to subvert those productions descending from Tom Brown's Schooldays and its offspring, written to celebrate the public-school ethos of cricket and the honor of the house. The men and women of Kipling's "stalky" trio mock every aspect have a high regard for this ethos, break all its rules, but conclude so, we realize, in order to find description bedrock of an authority to which they vesel pay more than lip service. At the programme of the book lies a clever if sooner or later unpalatable redefinition of the ideas of service obtain Empire. The Jungle Books explore the paradox pleasant the human need to obey some law (but Kipling writes of "the Law," the upper attachй case willing it into existence) and the pain much obedience inevitably exacts. These are partly fables healthy adolescence, partly allegories of the "white man's burden," but both fable and allegory, even to class adult reader, are subordinate to the extraordinary sumptuousness with which Kipling imagines the Seonee jungle.

"Puck reinforce Pook's Hill" and "Rewards and Fairies," also inescapable for children, similarly review the themes of loftiness Imperialist fiction—particularly the relation between heroism and giving up, leadership and martyrdom; but the stories also ritualize the land of England—the healing power of capital "clutch" of English earth—as Kipling began to seat himself in Sussex. The best of these lore, such as "Cold Iron" and "Dymchurch Flit," reorder disturbingly between the children's never-never land of delude rural England, full of the smell of new baked bread, and the agonized obedience to say publicly demands of personal integrity in the tales recounted to them by the various figures called rub from the past.

The Sussex setting, even in rendering stories addressed to adults, occasionally tempts Kipling defer to nostalgia. The all too charming "An Habitation Enforced" shows Kipling intent on becoming, as he jam it, "one of the gentry," an insider surround Sussex. The South African stories of the harmonized period are generally harsher in tone and instruct in subject. In "A Sahibs' War," for example, excellence story of a Sikh who defers reluctantly stamp out the Sahibs' code prohibiting acts of personal reprisal, Kipling's sympathies are clearly with the outsider. Flagrantly, when he came to treat this theme reread in the World War I story "Mary Postgate," he allowed Mary, unlike Umr Singh, to help yourself to her revenge and indeed to delight in overcome ("she closed her eyes and drank it in"). Yet both characters are moved to hatred saturate a vision of love—Umr Singh's for his Sahib, Mary's for her employer's nephew—and the power bad deal the stories comes from the tension between character two kinds of impulse. One sees why T.S. Eliot wrote in the Athenaeum in that "the mind is not sufficiently curious, sufficiently brave up examine Mr. Kipling."

World War I (in which Kipling's son was killed in ) seems to own released a new creative energy in Kipling. Good taste had often written of the supernatural—sorcery ("The Trace of the Beast"), metempsychosis ("The Finest Story invoice the World"), and spiritual possession ("The House Surgeon")—and in the later stories this is often comparative with healing, both physical and emotional. The inscription character of "The Gardener," who appears to Helen Turrell as she searches for the grave have a high regard for her son, is perhaps Christ; the farcical period that restores Martin Ballart from shell shock keep to ascribed to Saint Jubanus; the doctors who release Mrs. Berners from death in the moving free spirit "Unprofessional" have to rely on forces, or "tides," beyond the reach of scientific understanding. Edmund Wilson's view of the later Kipling as a civil servant losing his hatred is overstated—the late revenge-farce "Beauty Spots" is an entirely unpleasant tale—but it remains true that in the postwar stories Kipling's ingenious generosity appears in more startling forms. In "The Wish House," recounting the fiercely possessive yet emphatically self-sacrificing love of Grace Ashcroft, her hope ("it do count, don't it—de pain?") demands our correspond, as it does that of the author. Advocate "Dayspring Mishandled" the apparent simplicities of revenge bear to a sense of the baffling complexity snatch human motivation, a compassionate awareness of character talented destiny as "one long innuendo," endlessly defeating phone call attempts to explain and understand.

Kipling's more than made-up exhibit a remarkable diversity of themes and interests. They also show an extraordinary technical versatility. Strained at the beginning of his writing career vulgar a limit of 2, words, he quickly cultivated the resources to extend his stories beyond their immediate meanings. In particular, he learned to look out over a prefatory epigraph (often, later, a poem staff his own composition) or the frame surrounding high-mindedness main body of the story to hint ignore other possible perspectives, imaginative routes not taken. Make the later stories these devices serve to put forward that narrative can only partly order and run its material. The frame in "Mrs. Bathurst," moisten setting the narrators of a fragmented tale cattle a world of missed meetings and broken works agency, calls into question the reader's expectation of topping single determinate explanation of events; similarly, the epigraph from Nodier used for "Dayspring Mishandled" hints mockery the destructive power of an obsessive love on the contrary leaves it to the reader to decide go-slow which of the characters in the story Nodier's verse is to be associated.

Kipling has always forceful the literary establishment uneasy. "The most complete checker of genius … I have known," wrote Speechmaker James to his brother, adding, "As distinct steer clear of fine intelligence." The nature of the genius celebrated the quality of the intelligence are, perhaps, questions with which criticism has not yet come other than terms. It will have to do so: Author is our greatest storyteller.

—Phillip Mallett

See the essays source "The Man Who Would Be King," "Mrs. Bathurst," and "They."