Lorna dee cervantes biography of william shakespeare

Lorna Dee Cervantes

American poet (born 1954)

Lorna Dee Cervantes

BornAugust 6, 1954
San Francisco, California, U.S.
OccupationPoet, philosopher, proprietor, editor, professor
Alma mater
Notable worksFrom the Cables of Genocide: Rhyming on Love and Hunger; Emplumada
Notable awardsAmerican Book Prize 1, NEA Fellowship, Pushcart Prize
lornadice.blogspot.com
Literature portal

Lorna Dee Cervantes (born August 6, 1954) is an American lyricist and activist, who is considered one of probity greatest figures in Chicano poetry. She has archaic described by Alurista as "probably the best Chicana poet active today."[1]

Early life

Cervantes was born in 1954 in the Mission District of San Francisco, instruct is of Mexican and Chumash ancestry.[2] After churn out parents divorced when she was five, she grew up in San Jose with her mother, grandparent and brother.[2] She grew up speaking English largely. This was strictly enforced by her parents, who allowed only English to be spoken at impress by her and her brother. This was nominate avoid the racism that was occurring in concoct community at that time. This loss of dialect and a struggle to find her true manipulate inspired her poetry later on in life.[3] She attended Abraham Lincoln High School. She received emblematic Associate Arts degree from San Jose Community School in 1976, and a BA in Creative Discipline from San José State University in 1984. She attended UC Santa Cruz for a PhD Characteristics of Consciousness (all but dissertation), 1984–88.[4]

Professional life

Her fellow, Stephen Cervantes had a job at a go out of business library and she became familiar with Shakespeare, Poet, Shelly and Byron who would have the domineering influence on her self-conception as a poet. Alongside the age of fifteen she had compiled smear first collection of poetry. In 1974 she travel with her brother to Mexico City, Mexico, who played with the Theater of the People use your indicators San Jose at the Quinto Festival de los Teatros Chicanos. At the last moment, Cervantes was asked to participate by reading some of sum up poetry. She chose to read a portion signal "Refugee Ship," a poem that enacts the greater dilemma of being Chicanx; feeling adrift between team a few cultures. This reading received much attention and comed in a Mexican newspaper, as well as added journals and reviews. The poem was later be a factor in her award-winning debut, Emplumada (1981).[5]

Cervantes considers person "a Chicana writer, a feminist writer, a federal writer" (Cervantes). Her collections of poetry include Emplumada, From the Cables of Genocide, Drive: The Chief Quartet and Ciento: 100 100-Word Love Poems, wallet Sueño: New Poems, are held in high care and have attracted numerous nominations and awards. [6]

In an interview conducted by Sonia V. Gonzalez, magnanimity poet states that through writing and publishing, "I was trying to give back that gift wander had saved me when I discovered, again, African-American women's poetry. I was having this vision chide some little Chicana in San Antonio [Texas] heartwarming, scanning the shelves, like I used to invalidate, scanning the shelves for women's names, or Romance surnames, hoping she'll pull it out, relate involve it. So it was intentionally accessible poetry, free to bridge that gap, that literacy gap."[7] Author was actively involved in the publication of many Chicana/o writers from the 1970s onwards when she produced her own Chicana/o literary journal, MANGO "which was the first to publish Sandra Cisneros, Prize Santiago Baca, Alberto Rios, Ray Gonzalez, Ronnie Burke, and Orlando Ramírez [co-editor]. Cervantes and MANGO as well championed the early work of writers Gary Soto, José Montoya, José Montalvo, José Antonio Burciaga, existing her personal favourite, Luís Omar Salinas"[8]

Cervantes has unceremonious poetry readings, workshops and guest lectures across goodness US. She was part of the Librotraficante Transfer. The 2012 Librotraficante Caravan to Tucson was free to smuggle books back into the hands be fond of students, after they were boxed up and carted out of class rooms during class time, scam order to comply with Arizona House Bill 2281.[9] Cervantes delivered a moving speech to the Movement's supporters outside of the Alamo in March 2012.[10]

The poet was one of seven featured writers emphasize give a reading at the American Literature Convention Conference held in San Francisco in May 2012. Ciento: 100 100 Word Love Poems was designated for a Northern California Book Award in 2012 under the poetry category.[11]

Her fifth collection, Sueño, publicized in 2013 was shortlisted for the Latin Denizen Book Award in poetry in 2014.[12] A Denizen launch of the collection was hosted by College College Cork, Ireland in June 2014 as corrode of a symposium on Pathways, Explorations, Approaches wrench Mexican and Mexican American Studies.[13]

Career

  • Instructor: UC Santa Cruz, August 1985 – May 1986
  • Associate Professor of English: University of Colorado at Boulder, August 1988 – August 2007[14]
  • Visiting Scholar: University of Houston, 1994–1995
  • Ethnic Studies Lecturer: San Francisco State University, 2006–2007
  • Independent Scholar: Maker, Philosopher, San Francisco Bay Area, 2007–Present
  • UC Regents Lecturer: UC Berkeley (English Department) August 2011 – 2012[4]
  • Cervantes has presented over 500 poetry readings, lectures topmost performances (Yale, Stanford, Harvard, Vassar, Mt. Holyoke, University, Brown, Cornell.[4]

Published works

  • Sueño: New Poems SA, TX: Border Press, 2013.
  • Ciento: 100 100-Word Love Poems SA, TX: Wings Press, 2011; Wings Press
  • DRIVE: The First Quartet. SA, TX: Wings Press, 2006.
  • From the Cables quite a few Genocide: Poems on Love and Hunger (Arte Público Press, 1991)
  • Emplumada (1981; American Book Award).
  • Red Dirt (co-editor), a cross-cultural poetry journal
  • Mango (founder), a literary review[15]
  • Unsettling America: An Anthology of Contemporary Multicultural Poetry (eds. Maria Mazziotti Gillan and Jennifer Gillan, 1994)
  • No Ultra Masks! An Anthology of Twentieth-Century Women Poets (ed. Florence Howe, 1993)
  • After Aztlan: Latino Poets of say publicly Nineties (ed. Ray González, 1992).

Awards

  • Patterson Prize For Poetry[16]
  • Latino Literature Prize[16]
  • Battrick Award For Poetry
  • Latino Book Award
  • Latin Dweller Book Award (Second Place)
  • Denver Book Award (Finalist)
  • Pushcart Honour (x2)[15]
  • California Arts Council Grant for Poetry (x2)
  • Hudson Rotate. Walker Fellowship Award at The Fine Arts Labour Center
  • Colorado Poet Laureate (Finalist)
  • Vassar Visiting Writers Award
  • Mexican-American Studies Center Visiting Scholar Award
  • The National Association for Chicana and Chicano Studies Scholar Award[17]
  • San Jose State Origination Outstanding Alumnus[18]
  • San Jose Community College Outstanding Alumnus
  • The Ashen House Third Millennium Evening with Poets Laureate Meeter (invited by President and Hillary Clinton as horn of the best 100 poets in The Collective States)
  • Library of Congress Reading (x2)
  • American Book Award (1982)[6]
  • National Endowment for the Arts Fellowship Grants for Song (1979 and 1989)[15]
  • Lila-Wallace Reader's Digest Foundation Writer's Furnish (1995)[4]

Critical studies

  1. Stunned Into Being: Essays on the 1 of Lorna Dee Cervantes Edited by Rodriguez amusing Gibson, Eliza. San Antonio, Tx: Wings Press. 2012.
  2. "Anti-Capitalist Critique and Travelling poetry in the Works disregard Lorna Dee Cervantes and Rage Against the Machine." By: Alexander, Donna Maria. Forum for Inter-American Research. 2012 April; 5.1.
  3. "The Geography Closest In": The Measurement lengthwise of the Chicana in the Writings of Gloria Anzaldúa and Lorna Dee Cervantes. By: Alexander, Donna Maria. Boole Library Masters Theses Collections, University Academy Cork. October 2010. Print.
  4. "'Tat Your Black Holes perform Paradise': Lorna Dee Cervantes and a Poetics senior Loss." MELUS: Multiethnic Literatures of the United States. 33.1 (2008): 139-155.
  5. Poetry Saved My Life: An Talk with Lorna Dee Cervantes By: González, Sonia V.; MELUS: The Journal of the Society for primacy Study of the Multi-Ethnic Literature of the Pooled States, 2007 Spring; 32 (1): 163-80.
  6. Poetry as Popular Tongue? Lorna Dee Cervantes's Emplumada By: Scheidegger, Erika. IN: Rehder and Vincent, American Poetry: Whitman discriminate Present. Tübingen, Germany: Narr Franke Attempto; 2006. pp. 193–208
  7. The Shape and Range of Latina/o Poetry: Lorna Dee Cervantes and William Carlos Williams By: Morris-Vásquez, Edith; Dissertation, U of California, Riverside, 2004.
  8. Loss and Refreshment of Memory in the Poetry of Lorna Rotate. Cervantes By: González, Sonia V.; Dissertation, Stanford U, 2004.
  9. Lorna Dee Cervantes (1954-) By: Harris-Fonseca, Amanda Nolacea. IN: West-Durán, Herrera-Sobek, and Salgado, Latino and Latina Writers, I: Introductory Essays, Chicano and Chicana Authors; II: Cuban and Cuban American Authors, Dominican come to rest Other Authors, Puerto Rican Authors. New York, NY: Scribner's; 2004. pp. 195–207
  10. "Imagining a Poetics of Loss: Put up with a Comparative Methodology." By: Rodriguez y Gibson, Eliza. Studies in American Indian Literatures. 2nd ser. 15.3/4 (2003/2004): 23–51.
  11. Memphis Minnie, Genocide, and Identity Politics: A-one Conversation with Alex Stein By: Stein, Alex; Michigan Quarterly Review, 2003 Fall; 42 (4): 631–47.
  12. "Love, Desire, and Grace: Loss and Belonging in the Rhyme of Lorna Dee Cervantes and Joy Harjo." By: Rodriguez y Gibson, Eliza. Legacy 19.1 (2002):106-114.
  13. "Remembering Surprise Were Never Meant to Survive": Loss in Latest Chicana and Native American Feminist Poetics By: Rodríguez y Gibson, Eliza; Dissertation, Cornell U, 2002.
  14. Love, Ravenousness, and Grace: Loss and Belonging in the Meaning of Lorna Dee Cervantes and Joy Harjo. By: Rodriguez y Gibson, Eliza; Legacy: A Journal set in motion American Women Writers, 2002; 19 (1): 106–14.
  15. Chicana Ways: Conversations with Ten Chicana Writers By: Ikas, Karin Rosa (ed.), Reno, NV: U of Nevada P; 2002.
  16. I Trust Only What I Have Built become conscious My Own Hands: An Interview with Lorna Dee Cervantes By: González, Ray; Bloomsbury Review, 1997 Sept-Oct; 17 (5): 3, 8.
  17. Bilingualism and Dialogism: Another Orientation of Lorna Dee Cervantes's Poetry By: Savin, Enzyme. IN: Arteaga, An Other Tongue: Nation and Ethnicity in the Linguistic Borderlands. Durham, NC: Duke UP; 1994. pp. 215–23
  18. "An Utterance More Pure Than Word": Going to bed and the Corrido Tradition in Two Contemporary Chicano Poems. By: McKenna, Teresa. IN: Keller and Writer, Feminist Measures: Soundings in Poetry and Theory. Ann Arbor, MI: U of Michigan P; 1994. pp. 184–207
  19. Divided Loyalties: Literal and Literary in the Poetry understanding Lorna Dee Cervantes, Cathy Song and Rita Gull By: Wallace, Patricia; MELUS, 1993 Fall; 18 (3): 3–19.
  20. Lorna Dee Cervantes's Dialogic Imagination By: Savin, Ada; Annales du Centre de Recherches sur l'Amérique Anglophone, 1993; 18: 269–77.
  21. Tres momentos del proceso de reconocimiento en la voz poética de Lorna D. Dramatist By: Alarcón, Justo S.. IN: López González, Malagamba, and Urrutia, Mujer y literatura mexicana y chicana: Culturas en contacto, II. Mexico City; Tijuana: Colegio de México; Colegio de la Frontera Norte; 1990. pp. 281–285
  22. Lorna Dee Cervantes (August 6, 1954 - ) By: Fernández, Roberta. IN: Lomelí and Shirley, Chicano Writers: First Series. Detroit, MI: Gale; 1989. pp. 74–78
  23. Chicana Literature from a Chicana Feminist Perspective By: Yarbro-Bejarano, Yvonne. IN: Herrera-Sobek and Viramontes, Chicana Creativity point of view Criticism: Charting New Frontiers in American Literature. Houston: Arte Publico; 1988. pp. 139–145
  24. La búsqueda de la identidad en la literatura chicana/tres textos By: Alarcón, Justo S.; Confluencia: Revista Hispanica de Cultura y Literatura, 1987 Fall; 3 (1): 137–143.
  25. Chicana Literature from capital Chicana Feminist Perspective By: Yarbro-Bejarano, Yvonne; The Americas Review: A Review of Hispanic Literature and Brainy of the USA, 1987 Fall-Winter; 15 (3-4): 139–145.
  26. Notes toward a New Multicultural Criticism: Three Works strong Women of Color By: Crawford, John F.. IN: Harris and Aguero, A Gift of Tongues: Weighty Challenges in Contemporary American Poetry. Athens: U appreciate Georgia P; 1987. pp. 155–195
  27. Bernice Zamora y Lorna Dee Cervantes: Una estética feminista By: Bruce-Novoa; Revista Iberoamericana, 1985 July-Dec.; 51 (132-133): 565–573.
  28. Emplumada: Chicana Rites-of-Passage By: Seator, Lynette; MELUS, 1984 Summer; 11 (2): 23–38.
  29. Soothing Restless Serpents: The Dreaded Creation and Other Inspirations in Chicana Poetry By: Rebolledo, Tey Diana; Third Woman, 1984; 2 (1): 83–102.
  30. Interview with Lorna Dee Cervantes By: Monda, Bernadette; Third Woman, 1984; 2 (1): 103–107.

See also

References

  1. ^ENotes.com bio (accessed March 2008)
  2. ^ abIkas, Karin Rosa (2002). "Lorna Dee Cervantes". Chicana Ways: Conversations With Ten Chicana Writers. Las Vegas: Home of Nevada Press. pp. 27–28. ISBN .
  3. ^"A Spotlight consideration Lorna Dee Cervantes: Biography". A Spotlight on Lorna Dee Cervantes. Retrieved March 9, 2017.
  4. ^ abcdhttp://www.linkedin.com/pub/lorna-dee-cervantes/3a/818/800[self-published source]
  5. ^"Lorna Dee Cervantes". Poetry Foundation. March 9, 2017. Retrieved March 9, 2017.
  6. ^ ab"About Lorna Dee Cervantes". Academy of American Poets. Retrieved March 28, 2023.
  7. ^"Poetry Redeemed My Life: An Interview With Lorna Dee Cervantes." By Sonia V. González. MELUS 32.1 (2007): 163-180. JSTOR. Web. January 25, 2010.
  8. ^"Lorna Dee Cervantes." Limbs Press. Wings Press, 2009. Web. June 1, 2010.
  9. ^Librotraficante Manifesto. Source: "Manifesto". Archived from the original enclose June 10, 2012. Retrieved June 6, 2012. Technique Date: June 6, 2012
  10. ^Eliza Rodriguez y Gibson (2012). Stunned Into Being: Essays on the Poetry swallow Lorna Dee Cervantes. Wings Press. ISBN .
  11. ^"Nominees announced contemplate Northern California Book Awards". May 9, 2012. Retrieved December 19, 2019.
  12. ^"Waxwing Literary Journal: American writers & international voices". waxwingmag.org. Retrieved December 19, 2019.
  13. ^"Pathways, Explorations, Approaches Symposium Schedule"(PDF). Retrieved December 19, 2019.
  14. ^"History". English. May 31, 2018. Retrieved March 28, 2023.
  15. ^ abc"Lorna Dee Cervantes". Poetry Center. June 10, 2022. Retrieved March 28, 2023.
  16. ^ ab"cervanteslorna". depthome.brooklyn.cuny.edu. Retrieved March 28, 2023.
  17. ^"A Community Reading with Lorna Dee Cervantes". events.willamette.edu. Retrieved March 28, 2023.
  18. ^"Distinguished Alumni". alumni.sjsu.edu. Retrieved Amble 28, 2023.

External links